Nothing Like The First Listen

The other day a co-worker asked me to make him a mix of tunes. There are few greater small pleasures in life for me. Now he didn't specify what kind of a mix, which would have been easier. No, he didn't request a mix of songs exclusively by British fops or songs only recorded south of the Mason-Dixon Line or songs only about animals--requests that would have been easy to accomplish. So, I had my usual response to the general "make me a mix" request--I went overboard, zealously. He'll be receiving a nice box set of mixes from me, filled with universally great songs as well as some geared more specifically to his personality and perceived likes (though he is a vociferous Rod Stewart hater, how could I refrain from including "Every Picture Tells a Story"?). Of the hundred or so songs I've collected for him, I'd be willing to wager 90% of them will be new to his ears. Just the thought of how thrilled he might be to hear such gems as Dan Reeder's "Work Song" or R.L. Burnside's "Stole My Check" or The Coasters' "Shoppin' For Clothes," or some other unpredictable song for the first time, has me giddy.

I started thinking about this phenomenon--the first time you hear a song destined to be one of your all-time favorites--and was struck by how few of the thousands of "all-time favorite" songs on my list I actually remember in detail hearing for the first time. Why? Shouldn't everybody remember vividly the first time they heard "Satisfaction" or "Like a Rolling Stone" or "Mamma Mia" (sic)? Maybe it's the saturation of listening to such songs so many times over years and years that dims the memory of the first time. Maybe some songs have just always been in one's consciousness. Who knows?

One song that stands out is a rather obscure one, "Boston," by a guy named Dave Derby. I was in a record store, the only customer at the time, and all of a sudden the song came over the speakers. Looking back on it all, I can't say I wasn't the victim of that great record store ploy employed in High Fidelity when John Cusack announces he's about to sell five copies of the Beta Band's 3 Ep's record, puts the record on and everyone in the store starts grooving and asking what the record is. Maybe the guy in the store I was in, who certainly knew a little of my tastes in music, knew that I'd respond to the beautifully gloomy, dreamy "Boston." Halfway through the song I had to ask what was playing, by the end of the song I had bought the record.



Having been a big Meat Puppets fan for several years, I of course was excited when their 1987 record Huevos came out. I remember playing the record for the first time late one night in an apartment I shared with two other guys, after they had gone to bed. Not being able to crank the volume became torture when I heard the first riffage of the great "Look At The Rain." But when the band kicked in again the glorious wailing of the title phrase after a false fade-out, well, in some ways I've been swooning ever since ("I gotta shirt that costs a dollar twenty-five/I know I'm the best-dressed man alive!").



I was at a friend's when he played me Bill Fox's epic Shelter From The Smoke album for the first time. Those jangly first notes and the not-expected high lonesome voice of Bill singing, "Over and away she goes ..." spelled instant addiction. I am blessed to see Bill play often, and often he begins his set with "Over And Away She Goes" and I am able to re-live that first-time thrill of being granted admission to a singular world once again.



Strangely, the most vivid "first-time" listening experience I remember is a bit confusing; I don't remember the exact song I heard. I had just returned to college and had to get up at dawn on a snowy, dark morning to return a rented car. As I drove down empty streets, the radio played the Roches' "Hammond Song," or was it "Losing True"? Seeing that "Losing True" is kind of a re-make of "Hammond Song" (I bet many Roche sister fans wished they'd make more and more re-makes--gorgeously strummed acoustic guitar, three angelic voices all-entwined, and a touch of Frippery thrown in for seasoning), nearly thirty years of memory have confused me as to which one I actually heard on that drive. All I know was that I had to have that song, that sound. Funny, though, I can't remember the first time I actually heard the song I didn't hear that morning.



Here's hoping thirty years from now, when my co-worker is reflecting on his lifetime of good listens, he'll remember a moment listening to one of the mixes I've made for him.