Sunday, January 31, 2010

Peel Slowly and See


As is my wont, yesterday when I was bored I played a game of Twister, solo. Oh what fun. What wasn't so fun was when, after one particulary vigorous spin, I found myself locked into a sitting swami position. I took the opportunity of such a paralyzed state to contemplate the idea of perfection. Lo and behold, after several fleeting and eventually unsatisfying images of Bo Derek, Bob Dylan's hair circa 1966, and the word aardvark flitted through my consciousness, I fixated on banana; I thus achieved the nirvana of discovering earthly perfection. Only then was I able to rather painfully wrench myself back to mobility.

Now I'm not just talking about the delicious pleasures that eating a banana bring, though certainly that is an inextricable part of the entire "banana = perfection" equation. I'm talking the totality of banana: perfection personified, so to speak. Yes, biting into a juicy orange in the dead of winter, or grabbing a handful of raspberries at a summer picnic, or slithering in a little kiwi slice at a swanky wine and cheese all have their profound merits, but a banana needs no context; wherever and whenever, consuming one always satisifies.

And think of all the various edible pleasures bananas, um, foster: on top of cereal, dried out, cream pies, puddings, fried (oh my God, fried bananas), frozen. And no offense to Hot Fudge Sundaes, but really, a Banana Split is the Rolls Royce of ice cream dishes. Hell, even that fake "banana flavoring," which ends up in everything, doesn't taste anything like bananas to me, but it still tastes great; name anything else whose pale imitators are pretty damn good, in and of themselves. Look, I'm no Rachel Ray (kudos, God), so I don't know even a tenth of the ways bananas can be used culinarily, but what I do know makes bananas unassailable. But it goes far beyond taste.

The banana's design is artistic and practical perfection. Peeling an orange can be a pain, but is there an easier, more pleasurable food preparation act than peeling a banana? The satisfying strength test of the initial crack at the top, then the sensual strip tease of peeling--machismo and sultry sexiness all in one. Think how long it's taken the packaging industry to design user friendly zip locks. The packaging of the banana has been perfect since its inception. And inside: No seeds or pits or gnarly cores to deal with, just total mushy goodness. And with the time-honored and always hilarious slipping on a banana peel gag, there's no waste: just toss the peel aside and wait for the hijinks. To me there's no better anticipatory experience in all of film than the tossed banana peel.

Now some uptight people may claim that the banana is just too phallic for them. To them I say, pshaw. The banana is a mite phallic, yes, but with its Saarinen-like sleek curve it's also quite feminine: it is the essential, unified, ying-yang of the plant kingdom: perfection.

Bananas are hip, too. The music is great, but to me what seals the deal for making The Velvet Underground and Nico the coolest, most undeniable album in history is Andy Warhol's totemic banana cover, Peel Slowly and See indeed. Then, of course, there was the great Sixties myth (was it just a myth, Rev. Jim?) that smoking banana peels led to a psychedelic experience like no other ("electrical banana"). Did you know some folks think the supposedly always-been-there (and so-much-more-poetic-and-fitting phrase than "losing one's marbles") "going bananas" originated with this banana peel smoking myth? Hard to believe, but the conundrum of the phrase's origins has even the redoubtable folks at the OED desperate.

The word (from the Spanish and Portuguese) itself is perfection. Like some mystical chant, it rolls off the tongue and never wants to stop. Just sitting there on the page or screen it looks so cool, so fun, so perfect, like a toy wooden train. A banana wouldn't quite be perfect if it were named the kumquat, right? I bet if they did a study with pre-literate babies and just tested their reactions to the look of various words, all the cool babies would gravitate to banana (my money's on the nerdy ones forming a cult around the word galoshes).

And besides, it's yellow. Being colorblind, I've always had an affection for good old unambiguous yellow.

The banana, ladies and gentlemen, perfection. Indulge.

Spike Jones and The City Slickers-Yes! We Have No Bananas

Saturday, January 30, 2010

Losing Marbles


No, to be honest.

Let me explain. Having recently played (and won, mind you, but that's not important, impressive) a game of Trivial Pursuit with a group of people I am at least ten (and even twenty) years older than, I can tell you that nothing this side of aching and paining your way to get out of bed at four in the morning to pee will make you feel older. Cries of "how did you know that?" accompanied by looks of awe (or were they disdain? pity, even? my eyes are getting bad) abounded as I answered rather simple questions about things that occurred well within my conscious lifetime, if not anybody else's.

Now you might think I've lost my marbles because I was playing a board game with twentysomethings (who are probably too young to remember the TV show thirtysomething--a "glitzy" show, as I recall a priest calling it, mid-sermon!), but if you do, and if you are under the age of 80, I challenge you to tell me the first thing about the game of marbles. Considering this


is perhaps the latest known picture of anybody playing marbles (oh I pray that I receive venomous hate mail from the Studebaker-driving, camphor oil-swilling, dungaree-wearing masses who keep the playing of marbles alive like so many Civil War re-enactors--then I'll really know my blog has reached the crannies of the internet [come to think of it, don't you gotta believe that most Civil War re-enactors probably play marbles in their less bellicose moments?]), I think it's time to consider and summarily lose the term (and all its variants) "losing one's marbles."

Now if you can make a case for me that the metaphor has now become the literal, in other words, that we use the term marbles for sanity outside of the "lost one's" usage, then I'll say okay, the phrase stays. But I never hear anyone saying, "that guy's got all his marbles; I'll trust him with my daughter," so I'm not buying it. Simply put, marbles are archaic; ergo, the phrase is, so let's ditch it for something more up-to-date, something "gliztier."

Some suggestions:

  • his Segway's got a flat
  • he's playing with a broken joystick
  • his cellphone's on permanent vibrate
  • his SUV done rolled over one time too many
  • his Depends are saturated
  • he's still looking for the "You Are Here" sign in the marble museum
  • he's got nothing but Michael Bolton on his iPod
  • he's a vegan at a drive-thru window
  • he's waiting for chewable Viagra
  • he's voting for Palin
There you have it: ten new phrases to go crazy over. And if you still have marbles to lose, go here.

Doug Sahm-Crazy, Crazy Baby

Friday, January 29, 2010

Over. And Done With


It seems like the fine folks who make Cottonelle toilet paper are a little late to the party. About six years late, to be more precise, to the party that I hosted and closed with a definitive bang. You see, back on December 7, 2003, the now-defunct Cleveland Plain Dealer Sunday Magazine published an essay I wrote extolling the absolute correctness of the top-down method of toilet paper deployment and debunking unequivocally the from-the-bottom method. Now the Cottonelle people are promoting a worldwide debate on the subject, using the less exact terms "over" and "under." An apt subject for debate, but really, Cottonelle, I settled this tissue issue years ago; you might as well have a debate about VHS and Beta. Nevertheless, I feed the need to be heard from again on this crucial subject, so here is my original essay.

I'm a top-down (TD) guy. Have been for years, obsessively so. I can tolerate from-the-bottom (FTB) people, but I put them in the category of the Eternally Suspicious, along with self-professed vampires and Art Modell apologists.

It's such a quick and foolproof litmus test, not only of someone's personality but of his or her character, soul even. Just head into a person's bathroom and look at the toilet paper roll: If the toilet paper unspools from the top down, you know the person is all right; from the bottom up, well, be cautious.

For purely practical reasons, there is no choice. TD is much more efficient and correct. Gravity is dependable, so why not utilize it? TD allows for one easy revolution of the roll to find the end. The unspooling is natural. FTB, especially if your roll is thick-ply, often results in frustrating spins, spins and more spins to find that elusive free end. Dawdling time is over when you make the move for the paper; to waste additional time trying to remove some paper from the roll is an insult to one's intelligence.

Undoubtedly, the paper that faces you coming off a TD roll is the money side, the proper side. What comes at you FTB, though it might seem appropriate, is the backside. Whether you're an obsessive folder of the TP or a reckless clumper, FTB people still end up with the side that unspools. How silly to use the wrong side for your business. It's like using the other side of sandpaper to sand, the other side of the knife to cut, the other side of the cigarette to smoke.

But TP unspooling is more than just a practical matter, more than just a conundrum for Heloise; it encompasses Emily Post and moves well beyond into Nietzschean, heaven or hell territory, and further into the existential milieu of plain or peanut--are you cool or uncool, is the ultimate question.

Now you might think the unnatural, against-the-grain FTB people are the cool ones in their iconclastic regard for TP, but, really, is there anything sadder than a nonconformist who nonconforms when it comes to silly things? I mean, let's face it, as valuable as it is, TP is a pretty silly thing. People who willfully put their TP on the springy spindle the wrong way are like those people who actually have a preference for a particular brand of bottled water. Nice try, would-be rebels.

TD people are comfortable in their identity, comfortable with nature, comfortable with the idea of convenience. Cool is nothing if not comfortable. FTB people are ornery, combative and let's-turn-this-molehill-into-a-mountain types.

Just as I enjoy parking really close to those people who willfully take up two parking spaces to protect their oh-so-precious vehicles, I love righting the wrongs of misguided TP spoolers. Be it a public restroom or a close friend's private throne room, I always take the opportunity of a visit to fix a FTB roll. It ain't exactly superhero work, but I firmly believe it's the little acts of kindness that truly make this world a better place. I'm just trying to do my part.

In the interest of journalistic integrity, however, I recently made the effort to put the shoe on the other foot. I actually put a recent roll of TP on FTB. I felt like Rush Limbaugh at a single-mothers consciousness-raising potluck vegan dinner: totally out of sorts.

There was no avant-garde thrill of breaking the social compact. There was no Emersonian pride in being an anti-hobgoblin. And there certainly was no convenience. Instead of the end of the roll always being right there like a trusty dog, I had to search for it, reaching up and behind the fat roll like a clumsy pickpocket. I admit there was a bit of flourish to ripping the paper off FTB, one absent in TD, but for some reason, I kept dropping the paper. Any kind of swashbuckling exuberance is lost when you have to pick up TP from the floor, believe me. End of experiment.

Toilet paper was made to unspool from the top down. It's that simple. And now that I have solved that mystery, I am tackling more complicated matters, such as which end of the Q-Tip to use first. There is a difference, you know.

The Yardbirds-Over Under Sideways Down

Thursday, January 28, 2010

Ichabod's iPod, Part 2: Holden Caulfield's Goddam Hits








Although he's been gone a long time, J.D. Salinger is now dead. I thank him for the hours and hours and days of pleasure I had reading and teaching The Catcher in the Rye. It only seems fitting,then, that now (when the old man can't sue me) I reveal to you the ten most-played songs on Holden Caulfield's iPod.

Brother John-The Wild Tchoupitoulas: For his beloved, dead little brother, Allie.

The Little Girl I Once Knew-The Beach Boys: For Jane Gallagher, who kept her kings in the back row, dropped a big tear on the checker board, and, God forbid, went on a date with Stradlater.

Don't Hurt My Little Sister-The Beach Boys: For Phoebe.

Walk Up The Street-The Modern Lovers: A rather autobiographical song for our peripatetic anti-hero who truly has "no place let to go."

I Don't Wanna Grow Up-Tom Waits: "...if you want to know the truth."

Crazy-Pylon: "You're funny and you don't even try."

My Old School-Steely Dan: Well, several, but who's counting?

Crepuscule With Nellie-Thelonious Monk Septet: "If I were a piano player, I'd play it in the goddam closet."

Blueman's Daughter-The Horseflies: If only for those lonely "falling" repetitions.

Growin' Up-Bruce Springsteen: He would never admit to liking a phony like Bruce; nonetheless, he can't get enough of this song.



Tuesday, January 26, 2010

State of the State of the Bunion



With Ohio Governor Ted Strickland giving his State of the State address today (in which he made a strong case that the history of the world cannot be written without Ohio; true, look it up somewhere) and President Obama giving his State of the Union speech tomorrow, I thought it would be appropriate to offer my own state of report today.

The state of the state of my bunion (hallux abducto valgus) is quite good today, what with the colder weather, a good pair of socks, and no recent stubbing. If the snow continues to fall, though, I might be forced to change from my comfortable slip-on shoes to sturdier lace-up boots, which don't seem to offer as much toe room as my other footwear. Ergo (or err toe) we could be in for a sorrier state of my bunion if the current trend of snow continues unabated. I will keep you posted and continue to do my best to serve my bunion. May God bless America and all its toes.

Kristin Hersh-Aching For You

Monday, January 25, 2010

Standing Up For Rust Belt Football



I have nothing against the New Orleans Saints. I'm happy they are going to their first Super Bowl, though with no real rooting interest in yesterday's Saints-Vikings game, I found myself leaning toward the Vikings as the game went on. Maybe it was a sentimental/masochistic thing: wanting to see a 40-year-old, Brett Favre, get one more shot in the limelight and wanting to endure two weeks of Favre media worship. Or maybe my leaning toward the Vikings had more to do with anti-Saints sentiments. After all, now there are only two NFL teams who have been around the entire Super Bowl era (1966 on) who have not made at least one appearance in the big game: the Detroit Lions and my Cleveland Browns. I'm not holding out a lot of hope that my Browns will get there anytime soon, but I'm hardly frightened that the Lions will beat them to it.

But here's a little history lesson for all of you snickering at us Lions and Browns fans (and let me tell you, it pains me to stand up for anything Detroit other than its music): in a mere six years (1952-57) the Browns and Lions met each other for the NFL Championship (the big enchilada--pre AFL, pre-merger) four times, including three years in a row ('52. '53, '54, '57--yes, the Browns went 1-3, but still). In fact, in incredible fact actually, in the sixteen years the Browns were in the NFL before the Super Bowl era began (1950-1965), the Browns were in the NFL Championship Game nine times (4-5 record).

So, it may have been mostly before my lifetime, and it may have been back when the whole world was black and white (the world didn't turn color until the Summer of Love, am I correct?), but once upon a time the Cleveland Browns virtually ruled the NFL, and the Lions were no slouches either. You can look it up.

So I'm grasping at straws here, showing my age and my despair--fine. Just don't pity me. If you must though, throw in some draft picks and a quarterback along with your jibes. Those who don't know their Browns ancient history are doomed to deeper gloom than necessary.

Delroy Wilson--Once Upon A Time

Saturday, January 23, 2010

Tom, Just The Facts



The first good word that struck me this morning was tomfoolery. Nothing too juicy in its origin or history, but it got me wondering about all the Toms I've known. Goofy, eccentric, iconoclastic--these are words that come to mind with regard to my collection of Toms, but not really fool, foolish, or foolery. The Toms I know are too smart--book and street--to be fools. The more the mind wanders, though, the more it is drawn to one Tom in particular, perhaps the first Tom I knew, a good boyhood friend of mine. This Tom was definitely no fool; what he really was, when I think of it, is magical. Tomwizardry might be a term to coin in his honor.

My all-time favorite story about this particular Tom is one I told for years when I taught. I'd use the blackboard to draw stick figures of the action, make all kinds of asides, reference whatever was popular in the students' world at the time to make the story come alive even more. I even--I confess--might have embellished a detail here and there for comedic effect. But not today. In the interest of determining officially whether this Tom engaged in tomfoolery or tomwizardry or merely tommischief, I will tell the tale straight and let you be the judge.

1977. Freshman year in high school. We went to a school on the other side of town, so we had to take a series of bus and rapid transit rides to get to and fro. By the age of fourteen, Tom was well-established as a kind of ring-leader in all things whimsical. Tom Sawyer might have concocted a scheme to get others to whitewash the fence, but this Tom could have concocted a game of simply watching the whitewash dry. Everything could be worked into a game by him. At the time a one-way trip including all buses and rapids cost thirty-five cents. A pretty measly sum, even then. But much too much for us to spend if we could get away with spending less. And Tom, naturally, was the king of discovering ways to spend less, if not nothing at all. He was the one who'd put Necco candy wafers in the till and get away with it. He was the one who perfected the multi-part, climb the roof over the rapid stop to get past the toll booth, run and get a free transfer at the downtown stop, and pull the old three-man, one-transfer-out-the-back-bus-window scheme. An adolescent genius, no doubt.

Tom was also the one who discovered the flaw in the Pepsi machine. Before our last leg home every night, we used to have to wait in a grimy mini bus station for fifteen minutes or so. The "station" was nothing more than a kind of trapezoidal room with plastic seats along the walls, whose windows were a truly nasty plastic (nasty with the gunk from everybody's heads leaning against them as they waited Purgatory-like for their bus to come in). The only breaks in the line of chairs along the walls were for the two doors and the battered old Pepsi machine, which kind of served as the focal point of the room. Cans were only thirty-five cents at the time (yes, son, there was a time when nearly everything was a mere thirty-five cents; it's a wonder they didn't make a thirty-five-cent coin). Of course, there wasn't much of a choice back then--six buttons to push, three Pepsi, two diet, and one Mountain Dew (which was new then and hadn't quite reached its cult status). Although a couple of us made use of the machine every day, it was Tom who discovered that one of the plastic buttons for Pepsi would get stuck if you just pushed it in and up a little. Well, what delight this gave us for weeks. We'd sprint down from the rapid stop above to be the one who would stick the button, then we'd all sit back and watch the hijinks that ensued when some unsuspecting bus rider put thirty-five cents in the machine and before he or she could decide which button to push, a can of Pepsi would clamor through the machine and out of the slot at the bottom. Ball-busting fun, on an acutely fourteen-year-old boy level.

Hard as it is to believe, though, we eventually got bored with the stuck-Pepsi-machine-button ruse (or probably, Tom tired of it so we all tired of it too). As if sensing the boredom that would come with our gradually-encroaching adulthoods, we forgot about sticking the machine and simply sat on the seats, obliviously stared out the window, and waited for our bus to show like all the other bus station denizens. Within a few months of daily public transportation tripping through the big city, we had jadedly thought we'd seen it all. Nothing much ruffled our ennui except, barely at first, the big, hulking, hairy, thirty-something ogre who came into the station one day and put some money in the Pepsi machine. A twinge of nostalgia passed through me as I momentarily wished we had stuck the machine that day, just to see how this guy would have responded to the loud, instant can shooting out to him. What he did react to, though, was the machine not giving him any kind of can whatsoever. He pushed the plastic button a few times, jiggled the coin return lever (what's the percentage of coin return levers on any kind of vending machine working properly--25%, at best?), and even tried the time-honored bend-over-and-shove-your-arm-as-far-up-into-the-dispenser-to-pry-out-your-precious-can-of-carbonation move--all to no avail.

Did the guy go looking for somebody in a blue uniform to inform about the banditry of Pepsi-co. or did he shrug his shoulders and walk away, figuring, oh well, life just exacted another thirty-five cent toll from me, like most people in the same situation would have done? Hell no. Anticipating Olivia Newton John's 1981 smash hit, this guy got physical with/on/to the machine. First he pushed it, with both arms/hands, like a linebacker slapping the pads of a teammate prior to a big game. No Pepsi. Then he tried shaking it like some savage after coconuts. No Pepsi. Then, using his ample girth, he lurched at the machine from a standing position. Bam. No Pepsi. Now outside of the audience listening to Glenn Beck read his Christmas story, you've never encountered a more indifferent, uncaring, unwitnessing, oblivion-wracked crowd than the masses gathered in this particular bus station, but by the time the guy lurched into the machine people were starting to take notice, in that there's-a-lunatic-in-my-presence-and-I-know-I-shouldn't-look-but-goddamn-this-is-too-fascinating-not-to-watch kind of way. Maybe it was the lunatic's awareness of the crowd, or maybe he just really wanted that Pepsi, but he then proceeded to back away from the machine, all the way back to the opposite end of the room, maybe twenty feet, to the seats directly facing the machine, which, of course, happened to be occupied that day by Tom and yours truly. Standing right in front of us, facing the machine, the guy kind of sized-up his task for a few seconds, as I'm sure everybody there (I couldn't see much, the big galoot was right in front of me), like me, was thinking, no way, this guy is not going to run clear across the room and tackle the Pepsi mach-- he did. Like a mountain man running toward his newly shipped mail-order bride, the guy took off straight for the machine. He was large, the direct route no more than twenty feet, but he maxed out his speed about seventeen feet into his dash, and then crash! It wasn't a tackle, just a collision, the apotheoisis of the by now age-old man vs. machine conflict in all its glory. The air exploded, the guy grunted, the crowd gasped, the machine quaked. But, no Pepsi. I should say just about all of the crowd gasped, because one voice in the crowd didn't gasped, it guffawed. Tom. Still dazed from his collision, the man wheeled and seethed in the direction of the guffaw, which being my direction, since I was sitting right next to Tom. Fearing time, all time, my time, was desperately short, I silently recited the digested, no-frills, get-to-the-point form of the Hail Mary: "Now and at the hour of our death, amen!" I am sure in those brief, suspended seconds, more than a few of the bus station crowd were looking at Tom and me and thinking, "them boys about to die."

Maybe all the fight in the guy had been expended on his mad dash/collision; maybe he suddenly (albeit belatedly) realized how foolish he looked; maybe he was out on parole for something and had a split second moment of grace and wisdom that told him to stop right there, that Pepsi and those boys aren't worth a return trip to the big house; maybe there are Guardian Angels; or maybe the overwhelming metaphysical inertia of the place finally enveloped him--whatever, the guy, after a couple near bladder-loosening (me) seconds of staring us down, gave up, found a seat near the machine and sat his ample, defeated ass down.

Within a minute, complete apathy was restored to the station.

Good story, no? Hardly. We're just getting to the good part. A minute or two after all this, Tom quietly asked me if I had a dime on me. Sure, I said, and started to dig in my pocket. "The guy only put a quarter in the machine," Tom whispered, and smirked. Oh no, Tom, don't, please...handing him the dime against all good judgment (what could I do, this was Tomwizardry in all its spell-casting power--such trifles as good judgment, the survival instinct, concern for my fellow man, all were no match; this was the guy, after all, who I had witnessed, a year or two before, throw an unwrapped mini Snickers bar from the very top row at Public Hall toward the floor where the high school basketball city championship game had just concluded; I had watched, with keener eyesight than I've ever had before and definitely since, that little candy bar fly down through the air, hit the hardwood floor and, instead of smashing to bits, roll end over end across the mayhem-filled court and right between the legs of the referee who was walking off the court with the game ball).

Tom took my dime as I took one last inventory of what had been my life. Without announcing the fact, Tom made clear to whatever part of the crowd cared, but especially the defeated big guy who sat glumly near the machine, still trying to catch his breath, that he (Tom) only had a dime and was proceeding to the Pepsi machine to insert it. Tom did just that, pausing to theatrically make his choice of soda, but also for the fact to sink in that he had just put merely a dime into the machine that had so recently waged and won an epic battle with the gorilla who sat nearby licking his wounds. I know I heard that dime descend through all its machinations and land loudly on top of the other coins, most especially the recent quarter (only) that the ogre had deposited. By leaning back a little, I could take in Tom and the guy (the only one watching the scene more intently than I) at once. I figured in the short time it would take the guy to devour Tom, I could be running out the side door and hopping on the first bus I saw, happily willing to pay the full thirty-five cent fare, happily willing to go to wherever the bus might take me because I knew salvation would be waiting for me at the end of the line. Eventually Tom pressed one of the Pepsi buttons, the machine burped and clanged as usual, and a fresh cold can of Pepsi emerged at the bottom of the machine. I couldn't look but I couldn't not look. Tom stood there with his pride and joy, a ten-cent (technically my ten cents, but I had immediately surrendered [not in any legal sense, but in my heart, to God] all claims to said dime and anything that could be gotten with it) can of Pepsi. He pulled the by now obsolete pop top, threw it in the little receptacle in the machine, took a deep gulp of the cola, and emitted a satisfying "aaaahhhh"--all right in front of the ogre. I tried hard to memorize every detail of the scene, for the police and for Tom's parents at the wake. With the ogre just sitting there in an incredulous stupor, Tom walked back over to me with the smirkingest Pepsi-gulping grin, held the can out, and said, "D'ya want some?" Blindly bound as I was at the time in the ninth year of my twelve-year Catholic school servitude, I still would have rather drunk gluttonously and unquestioningly from the chalice at a Black Mass than to have even touched that Pepsi can. Tom had no such qualms: he imbibed happily. And by the time he had finished the can and our bus had pulled up, the ogre, wholly defeated, had slunk out of the bus station. Thirty-plus years later, he's probably still walking, looking for some retribution, enlightenment, clarification, peace, who knows?

So, Tomfoolery, Tommischief, Tomwizardry, or just Tom being Tom? All I know is I survived to tell the embellished tale, and now, for once, the unadorned facts of the case.

David Bowie-Boys Keep Swinging